♀️ Feminist Friday ♀️
Henrietta Lacks
She never traveled farther than Baltimore from her family home in southern Virginia, but her cells have traveled around the earth and far above it, too.
She was buried in an unmarked grave, but the trillions of those cells — generated from a tiny patch taken from her body — are labeled in university labs and biotechnology companies across the world, where they continue to spawn and to play the critical role in a 67-year parade of medical advances.
Henrietta Lacks was the great-great-granddaughter of a slave and was herself a tobacco farmer whose family remained poor, with some members not having health insurance despite her cells leading to a medical revolution. Her endlessly renewable cells were harvested from her cer vix just months before she died and without compensation or consent, before being bought, sold and shipped many times over. There are thousands of patents involving her cells. Millions of dollars in profits have been made.
Lacks left behind five you ng children and an unparalleled medical legacy when she died on Oct. 4, 1951, at Johns Hopkins Hospital in Baltimore from an aggressive cervical cancer at 31.
While she was sick, a Hopkins doctor appeared on a TV science program. “Now let me show you a bottle in which we have grown massive quantities of cancer cells,” said the doctor, George Gey, as he held up her cells. “It is quite possible that from such fundamental studies such as these that we will be able to learn a way by which cancer can be completely wiped out.”
There was no mention of Lacks on TV and there was not a single obituary for her. After she died, a lab technician was in an autopsy room, taking more of the precious cells from her body. In Lacks’s medical records, a doctor wrote of small white tumors covering some organs: “It looked as if the inside of her body was studded with pearls.”
Though she was forgotten at the time, part of her remained alive, at the forefront of science. While a cure for cancer remains elusive, the cell line named for her, HeLa (pronounced hee-lah), has been at the core of treatments for hemophilia, herpes, influenza, leukemia, and Parkinson’s disease as well as the polio vaccine, the cancer drug tamoxifen, chemotherapy, gene mapping, and in vitro fertilization.
Born Loretta Pleasant in 1920 and later called Henrietta, she was the ninth of 10 children. When she was 4, her mother died and her father sent her to Clover, Va., where his family still worked the tobacco fields.
Henrietta was taken in by her grandfather, Tommy Lacks, the son of a white plantation owner and a former slave. The original plantation had been divided between black and white Lackses by a judge after one of Tommy’s brothers sued to take some of the land left to black heirs. Tommy was already taking care of another grandchild. The boy, David, known as Day, would share a bedroom with Henrietta in their grandfather’s cabin, a former slave quarters.
With Day and her other cousins, Henrietta would rise before dawn to tend to animals and a garden before spending much of the day crouched among the tobacco. The constant demands meant that most of the children didn’t finish their educations; she made it as far as the sixth grade.
At 14, she and Day had their first chi ld, a son named Lawrence. A daughter, Lucile Elsie, joined them four years later. Henrietta and Day married on April 10, 1941, when she was 20 and he was 25. The newlyweds continued to toil, struggling to survive on their small farm.
By the time Japan bombed Pearl Harbor eight months later, a few of their cousins had already left to work for Bethlehem Steel in Baltimore. Day would soon follow and once he had saved enough for a house and three train tickets, Henrietta came.
She arrived in Maryland at the age of 21 in the midst of the Great Migration, when more than six million African-Americans moved from the rural South to cities in the Northeast, Midwest and West beginning in 1915 and lasting into the 1970s.
After nine years, she found herself at Johns Hopkins Hospital in January 1951, where she had given birth to her fifth chi ld only a few months earlier. She told the receptionist at the gynecology clinic: “I got a knot on my womb.”
A hard mass was found in her cer vix and, as usual, a small piece of the cancerous tissue was cut off and taken to Gey’s pathology lab for a diagnosis. Unlike most cancer cells, which died within a few days, a cluster of Lacks’s cells not only survived, but thrived, doubling within 24 hours and never stopping. Gey later told others that the cells were taken from a woman named “Helen Lane,” relegating Lacks to obscurity. Ten months after coming in, she died.
But the rapid reproduction of HeLa cells continued, inexplicably becoming the only human cells to grow outside the body. Scientists used them to gain insight into viruses. Cosmetics companies, pharmaceutical firms and the military did tests on them. And Scientific American published an article informing readers how to grow HeLa cells at home. HeLa is the most prolific and widely used human cell line in biology.
The Lacks family did not know that her cells were alive, and all the while no one knew that her mighty cells were accidentally contaminating other cell lines. HeLa traveled through the air, floating on dust particles, or on hands or pipettes, muscling into secure locations and onto airplanes, ruining years of research around the globe, while causing millions of dollars in damage.
After Gey died of pancreatic cancer in 1970, his colleagues published a medical journal article with Lacks’s name in 1971, 20 years after her death. Three weeks later, President Nixon announced a “war on cancer.”
The Lacks family found out about HeLa one night in 1973 when one of Lacks’s daughters-in-law had dinner with a friend, whose husband happened to be a cancer researcher who recognized the Lacks name. He told her that he was working with cells from a woman named Henrietta Lacks and asked if she had died of cervical cancer. As recounted in Rebecca Skloot’s “The Immortal Life of Henrietta Lacks,” she rushed home and told Lacks’s son Lawrence, “Part of your mother, it’s alive!”
In 2001, 50 years after Lacks died, her daughter Deborah visited Johns Hopkins Hospital and closed her eyes as a cancer researcher opened the door of his floor-to-ceiling freezer. Deborah then opened her eyes slowly, and stared at vials of red liquid. “Oh, God,” she gasped, “I can’t believe all this is my mother.” When he handed her one, she said, “She’s cold,” and blew on the tube to warm it. “You’re famous,” she whispered to the cells.
Clover, Va., and Baltimore are separated by about 250 miles. The distance that mankind and science traveled, because Lacks made that short journey, is immeasurable. No dead woman has done more for humanity.
Says one researcher: “HeLa will live forever, perhaps.”
Your slave task for Friday December 2nd 2022
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Your slave task for Monday November 28th 2022.
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♀️ Feminist Friday ♀️
Qui Jin
With her passion for wine, swords and bomb making, Qiu Jin was unlike most women born in late 19th-century China. As a girl, she wrote poetry and studied Chinese martial heroines like Hua Mulan (yes, that Mulan) fantasizing about one day seeing her own name in the history books.
But her ambitions ran up against China’s deeply rooted patriarchal society, which held that a woman’s place remained in the home. Undeterred, Qiu rose to become an early and fierce advocate for the liberation of Chinese women, defying prevailing Confucian gender and class norms by unbinding her feet, cross-dressing and leaving her yo ung family to pursue an education abroad.
Her legacy as one of China’s pioneering feminists and revolutionaries was cemented on July 15, 1907, when she was beheaded at 31 by imperial army forces who charged her with conspiring to overthrow the Manchu-led Qing government. It was her final act of resistance, and it would later earn her a place in the pantheon of China’s revolutionary martyrs.
To this day, she is often referred to as “China’s Joan of Arc.”
“Qiu Jin lived at a time when women in China were not permitted to venture out of their homes, let alone participate in public affairs,” said Zhang Lifan, a writer and historian in Beijing. “So Qiu Jin not only participated in politics, her actions alone were a rebellion.”
Throughout her life, Qiu wrote often of what she saw as China’s stifling gender roles, as seen in this passage from a 1903 poem:
"My body will not allow me
To mingle with the men
But my heart is far braver
Than that of a man."
At the time of the poem’s writing, China was an empire in distress. The Qing government was on its last legs, heaving under the weight of internal bureaucratic decay and external pressure from foreign powers.
With the uncertainty of the period came opportunities for educated Chinese women like Qiu. As a result, Qiu soon found herself at the forefront of an emerging wave of new feminists who believed that women’s rights and political revolution naturally went hand in hand.
But scholars say the enduring strength of Qiu’s legacy lies not only in her leadership, but also — and perhaps more important — in her willingness to ultimately sacrifice her life for the cause.
“She argued that it wasn’t enough for women to just sit around and ask for equality,” said Hu Ying, a professor of Chinese literature at University of California, Irvine. “She believed you had to be willing to put your life on the line. And the fact that she really did put her life on the line is what made her words stick.”
As is often the case with any historical martyr, it is difficult to disentangle the facts of Qiu’s life from later myth making.
Qiu Guijin (pronounced Cho GWAY-Jeen) was born into a respected, albeit declining, gentry family in the southern port city of Xiamen on Nov. 8, 1875 (some scholars say 1877). Her father, Qiu Shounan, was a government official. Her mother, surnamed Shan, also came from a distinguished literati-official family.
With her older brother and younger sister, Qiu grew up in Xiamen and her family’s ancestral home of Shaoxing in China’s eastern Zhejiang Province.
By all accounts, she had a comfortable childhood. But she was for ced to bind her feet, learn needlework and — worst of all, in Qiu’s eyes — submit to an arranged marriage.
The man Qiu’s father chose for her was Wang Tingjun, the son of a wealthy merchant in Hunan Province. In 1903, seven years after marrying, the yo ung couple moved with their two children from Hunan to Beijing.
For Qiu, life in the imperial capital was decidedly less dull. She struck up friendships with like-minded women and began to take an interest in China’s political affairs. She unbound her feet, drank copious amounts of wine and began experimenting with cross-dressing and swordplay.
Still, the frustrations of her marriage took a deep toll on her psyche. Her husband, she felt, was uncultivated and had no interest in poetry or learning.
So in the summer of 1904, Qiu, then 28, acted on a bold decision: She left her husband and two children, sold her jewelry and sailed for Japan. (For that reason, scholars sometimes call her “China’s Nora,” after the character in Henrik Ibsen’s 1879 play “A Doll’s House”.)
She summed up her life in a 1904 poem called “Regrets: Lines Written En Route to Japan”:
"Sun and moon have no light left, earth is dark,
Our women’s world is sunk so deep, who can help us?
Jewelry sold to pay this trip across the seas,
Cut off from my family I leave my native land.
Unbinding my feet I clean out a thousand years of poison,
With heated heart arouse all women’s spirits.
Alas, this delicate kerchief here,
Is half stained with blo od, and half with tears."
In Tokyo, Qiu enrolled at Shimoda Utako’s Women’s Practical School, shortening her name to Qiu Jin. But she focused most of her energy outside the classroom, connecting with other reform-minded Chinese students similarly keen on fomenting revolution back home. She joined influential anti-Manchu secret societies, including the Restoration Society and Sun Yat-sen’s Revolutionary Alliance.
She came back to China in 1906 with a militant determination to advance women’s causes and topple the Qing government. She started the short-lived “Chinese Women’s Journal,” which, unlike most feminist magazines at the time, used vernacular language to appeal to a broader audience on topics like the cruelty of foot-binding and arranged marriages. She also learned how to make bombs.
By 1907, Qiu was running the Datong School — a front for a group that recruited and trained you ng revolutionaries — in Shaoxing when she learned that Xu Xilin, who was her friend and the school’s founder, had been executed for assassinating his Manchu superior.
After Xu’s death, friends warned Qiu that Qing troops were coming to Shaoxing to find the woman thought to be his co-conspirator. But Qiu refused to run away. In a scene that has since been memorialized and embellished in a multitude of forms, Qiu attempted to fight back but was quickly captured, tortur ed and beheaded.
Over the years, critics have accused her of being naïve in her belief — widely shared at the time — that overthrowing the Qing could resolve China’s social and political ills. Others said her death was unnecessary since she had ample time to escape from the advancing soldiers.
Perhaps her most notable critic was Lu Xun, one of China’s greatest 20th-century writers, who believed Qiu’s reckless behavior in Shaoxing was linked to the enormous adulation she received during her time in Japan. She was “clapped to death,” he told a friend.
More than a century after her death, many Chinese still visit her tomb beside West Lake in Hangzhou to pay their respects to the woman now embedded in the national consciousness as a bold feminist heroine.
Some can also still recite the famous words she wrote just before her death: “Autumn wind, autumn rain, fill one’s heart with melancholy.”
The line was a play on her surname “Qiu” which means “autumn” in Chinese.
Your slave task for Friday November 25th 2022.
If you took part in Friday 18th task: Happy Freedom Day!
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Pt 1 of 2
Had so much fun with my sub Cici after 154 days in chastity!
Teasing him with my sweaty gym kit and socks, lots of facesitting and queening before giving his ass a good seeing to.
Your slave task for Monday November 21st 2022.
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Mistress in Mayfair 💋
Sorry for the lack of uploads! Very busy and have had my computer packed up whilst my office was being decorated. Some new content as of tomorrow!
♀️ Feminist Friday ♀️
Maxine Hong Kingston
Maxine Hong Kingston, an eminent memoirist and a celebrated Chinese-American autobiographer, is best known for The Woman Warrior: Memoirs of a Girlhood Among Ghosts (1976) and its compa nion volume, China Men (1980). The Woman Warrior won the National Book Critics Circle Award in 1976 for non-fiction, and China Men was awarded the 1980 American Book Award. Kingston's unusual blend of fantasy, autobiography, and Chinese folklore makes her works highly personal and unconventional. The Woman Warrior and China Men are heavily influenced by many related sources, particularly her mother's childhood stories of China, her own experiences as a first-generation Chinese American, the less-than-favorable treatment of her ancestors who immigrated to America, and the racism and denigration of women that she encountered growing up in post-World War II California.
Maxine Ting Ting Hong was born on October 27, 1940, in Stockton, California, which had been a major supply center during the California gold-rush era of the mid-nineteenth century. A year earlier, in 1939, her mother, Ying Lan Hong, had arrived from China at Ellis Island, New York, to join her husband, Tom, who had emigrated from China to the United States fifte en years earlier. Named for a blond female gambler whom her father had met while working in a gambling establishment in California, Maxine, the first of six American-born children in the family, grew up in Stockton's Chinatown, where her parents owned a laundry business. She never felt that her parents encouraged her to do well in her academic studies, in part because in their conservative Chinese culture, women often are not expected to have careers outside of the home. Her negative childhood experiences are reflected in The Woman Warrior, in which she exhibits a certain bitterness leveled at her parents, as well as at American and Chinese cultures.
After having excelled in her high-school studies, Hong won ele ven scholarships that allowed her to attend the University of California at Berkeley, from which she graduated in 1962. That same year, she married Earll Kingston, an actor. Two years later, she returned to Berkeley to pursue a teaching certificate, which she received in 1965. For the next two years, she taught English and mathematics in Hayward, California, and then in 1967, she, her husband, and their son, Joseph, moved to the island of Hawaii, where her great-grandfathers first had worked when they immigrated to America. In China Men, Kingston describes the experiences of her forefathers working on the rough plantations of Hawaii, which they called Sandalwood Mountain.
In Hawaii, Kingston taught English at the state university and at Mid-Pacific Institute, a private school; in her spare time, she wrote. When The Woman Warrior was published in 1976 and became an immediate and unqualified success, she retired from teaching and devoted her energies to writing. China Men, which relates the ordeals of the male members of Kingston's family in America, appeared in 1980, followed by Hawaii One Summer (1987), a collection of twe lve prose selections. In 1989, she published Tripmaster Monkey: His Fake Book, her first traditionally structured novel, in which she tells the fictitious story of Whitman Ah Sing, a Chinese American living in Berkeley, California, during the counter-culture 1960s, with its hippies, tie-dyed tee-shirts, and drug addiction. The energetic adventures of Whitman Ah Sing, whose name evokes images of the American poet Walt Whitman and his refrain phrase "I sing" — "Ah Sing" — reveal the protagonist's unease about his role and future in America.
Kingston is a frequent commentator and guest speaker at academic conferences and cultural events across the country, and she has often found it necessary to write articles defending The Woman Warrior, explaining herself and rebutting some critics who feel that the famous autobiography focuses too much on exotic Chinese history and not enough on the day-to-day racism that Chinese Americans face in American society. To these charges, Kingston responds that she is not trying to represent Chinese culture; she is portraying her own experiences.
Your slave task for Friday November 18th
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Your slave task for Monday 14th November 2022.
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♀️ Feminist Friday ♀️
Kamaladevi Chattopadhyay
A freedom fighter, actor, social activist, art enthusiast, politician and feminist rolled into one, Kamaladevi Chattopadhyay’s left a massive mark in Indian culture and yet her contributions are little remembered and is virtually unknown outside India. However, the Kamaladevi that most Indians are familiar with is a figure who revived Indian handicrafts and nurtured the greater majority of the country’s national institutions charged with the promotion of dance, drama, art, theatre, music, and puppetry.
Kamaladevi was also a key figure in the international socialist feminist movement. From the late 1920s to the 1940s and beyond, Kamaladevi became an emissary for Indian women and political independence. She also advocated transnational causes – such as racism and political and economic equity between nations. She also attended the International Alliance of Women in Berlin in 1929.
Born in a Saraswat Brahmin community of Mangalore, Kamaladevi was greatly inspired by Gandhian ideas and the concept of non-violence. Much of it can be attributed to her upbringing. Her parents were progressive thinkers and involved in the freedom struggle of the era. Her mother was chiefly responsible for her scholarly upbringing after Kamaladevi lost her father at an early age. Her grandmother was known to have challenged the limitations placed on widows and continued her pursuit of knowledge and independent living.
Her first chance with politics came at the home of her maternal uncle. A notable social reformer, his house was throged by eminent lawyers, political luminaries, and public figures, among them Gopalkrishna Gokhale, Srinivasa Sastri, Pandita Ramabai, and Sir Tej Bahadur Sapru. By 1923, Kamaladevi, following the footsteps of Gandhi, enrolled herself in the nationalist struggle as a member of the Congress party. Three years later, she had the unique distinction of being the first woman in India to run for political office. Kamaladevi competed for a seat in the Madras Legislative Assembly and lost by a mere 55 votes.
Even though she was a strong advocate of Salt Satyagraha, she differed with Gandhi’s decision to exclude women in the march. Though Kamaladevi was charged with violation of the salt laws and sentenced to a prison term, she captured the nation’s attention when, in a scuffle over the Congress flag, she clung to it tenaciously. At the same time, Kamaladevi was establishing political links outside India too. In 1926, she met the Irish-Indian suffragette Margaret Cousins, who founded the All India Women’s Conference and remained its president until Kamaladevi assumed that role in 1936. She was a great author too and her first writings on the rights of women in India date to 1929. One of her last books, Indian Women’s Battle for Freedom, was published in 1982.
An interesting fact that many are unaware of is the role Kamaladevi played in giving birth to present Faridabad. As the founding leader of the Indian Cooperative Union (ICU), she took upon the job to resettle nearly 50,000 Pathans from the North West Frontier Province (NWFP) in the wake of the post-Partition migrations. Apart from her contribution in handicrafts, she also set up the Indian National Theatre (INT) in 1944, what we today know as National School of Drama. It was a movement to recognise and celebrate indigenous modes of performance like dance, folklore, and mushairas and help the freedom struggle.
Your slave task for Friday November 11th 2022
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Your slave task for Monday November 7th 2022
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♀️ Feminist Friday ♀️
Christina of Sweden
Christina, Swedish Kristina, (born Dec. 8, 1626, Stockholm, Swed.—died April 19, 1689, Rome [Italy]), queen of Sweden (1644–54) who stunned all Europe by abdicating her throne. She subsequently attempted, without success, to gain the crowns of Naples and of Poland. One of the wittiest and most learned women of her age, Christina is best remembered for her lavish sponsorship of the arts and her influence on European culture.
Christina was the daughter of King Gustav II Adolf and Maria Eleonora of Brandenburg. After her father died in the Battle of Lützen, Christina, his only heir, became queen-elect before the age of six. By his orders she was educated as a prince, with the learned theologian Johannes Matthiae as her tutor. Five regents headed by the chancellor Axel Oxenstierna governed the country. Her brilliance and strong will were evident even in her childhood. Oxenstierna himself instructed her in politics and first admitted her to council meetings when she was 14.
An assiduous politician, Christina was able to keep the bitter class rivalries that broke out after the Thirty Years’ War from lapsing into civil war but was unable to solve the desperate financial problems caused by the long years of fighting.
Highly cultured and passionately interested in learning, she rose at five in the morning to read and invited eminent foreign writers, musicians, and scholars to her court. The French philosopher René Descartes himself taught her philosophy and died at her court. For her wit and learning, all Europe called her the Minerva of the North; she was, however, extravagant, too free in giving away crown lands, and intent on a luxurious court in a country that could not support it and did not want it. Her reign was, nevertheless, beneficent: it saw the first Swedish newspaper (1645) and the first countrywide school ordinance; science and literature were encouraged, and new privileges were given to the towns; trade, manufactures, and mining also made great strides.
Christina’s abdication after 10 years of rule shocked and confused the Christian world. She pleaded that she was ill and that the burden of ruling was too heavy for a woman. The real reasons, however, are unclear and still disputed. Among those that are often cited are her aversion to marriage, her secret conversion to Roman Catholicism, and her discomfort (after spending most of her life in the company of men) with her own femininity. She chose her cousin Charles X Gustav as her successor, and, when he was crowned on June 6, 1654, the day of her abdication, Christina left Sweden immediately.
In December 1655 Pope Alexander VII received Christina in splendour at Rome. He was, however, soon disillusioned with his famous convert, who opposed public displays of piety. Although she was far from beautiful (short and pockmarked, with a humped right shoulder), Christina, by her manners and personality, created a sensation in Rome. Missing the activity of ruling, she entered into negotiations with the French chief minister, Cardinal Mazarin, and with the Duke di Modena to seize Naples (then under the Spanish crown), intending to become queen of Naples and to leave the throne to a French prince at her death. This scheme collapsed in 1657, during a visit by Christina to France. While staying at the palace of Fontainebleau, she ordered the summary execution of her equerry, Marchese Gian Rinaldo Monaldeschi, alleging that he had betrayed her plans to the Holy See. Her refusal to give reasons for this action, beyond insisting on her royal authority, shocked the French court, nor did the pope welcome her return to Rome.
In spite of this scandal, Christina lived to become one of the most influential figures of her time, the friend of four popes, and a munificent patroness of the arts. Always extravagant, she had financial difficulties most of her life: the revenues due from Sweden came slowly or not at all. She visited Sweden in 1660 and in 1667. On the second journey, while staying in Hamburg, she had Pope Clement IX’s support in an attempt to gain another crown, that of her second cousin John II Casimir Vasa, who had abdicated the throne of Poland; but her failure seemed to please her since this meant that she could return to her beloved Rome. There she had formed a strong friendship with Cardinal Decio Azzolino, a clever, charming, prudent man, leader of a group of cardinals active in church politics. It was generally believed in Rome that he was her lover, a view sustained by her letters, which were decoded in the 19th century. With him, she, too, became active in church politics, insisting for years on the pursuance of the Christian war against the Turks. Pope Innocent XI, who pushed this war to its victorious conclusion, stopped her pension at her own urgent request in order to add it to the war treasury. In 1681, having secured a trustworthy administrator for her lands in Sweden, Christina at last became financially secure.
Christina’s extraordinary taste in the arts has influenced European culture since her time. Her palace, the Riario (now the Corsini, on the Lungara in Rome), contained the greatest collection of paintings of the Venetian school ever assembled, as well as other notable paintings, sculpture, and medallions. It became the meeting place of men of letters and musicians. The Arcadia Academy (Accademia dell’Arcadia) for philosophy and literature, which she founded, still exists in Rome. It was at her instigation that the Tordinona, the first public opera house in Rome, was opened, and it was she who recognized the genius of and sponsored the composer Alessandro Scarlatti, who became her choirmaster, and Arcangelo Corelli, who directed her orchestra. The sculptor and architect Giovanni Bernini, her friend, considered her his saviour when she commissioned the art historian Filippo Baldinucci to write his biography while he was being discredited in 1680. Her enormous collection of books and manuscripts is now in the Vatican library. She was renowned, too, for her militant protection of personal freedoms, for her charities, and as protectress of the Jews in Rome.
Christina died in 1689. Her tomb is in St. Peter’s Basilica in Rome.
Your slave task for Friday November 4th 2022
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"Pegging in the barn"
There doesn’t have to be rhyme or reason to a Goddesses wanting to peg a slave, sometimes it is simply for her enjoyment! Today whilst down at the farm Goddess Serena takes hold of this precious slut and takes him into the barn for a pegging with her big black cock! If having to endure the cold trolly, handcuffs and Goddess’ big cock in his ass wasn’t enough, he then finds himself deep throating and cleaning it for her!
Your slave task for Monday October 31st 2022
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