𝐒𝐋𝐀𝐕𝐄 𝐓𝐀𝐒𝐊
Good morning! Here is your slave task for Friday 16th June 2023.
These tasks are designed to be interactive. They are an open invitation to send me a direct message to discuss the task and to send voice notes, photos or videos (whatever is best suited to the task) as proof of completion.
I am aware that not all slaves have the same interests, experience and/or threshold, so I have designed these tasks to be as mixed as possible. There should be something to appeal to everyone regardless of where you stand on the scale!
💋💋💋
Your Goddess,
Serena
On a scale of 1-10, 1 being unbothered and 10 being heartwrenchingly overwhelmed, how does this image make you feel, knowing that it was taken by my lover immediately after we had spontaneous sex on the couch in the afternoon sun and he brought me to orgasm. Knowing that you never will. Knowing that you’ll never be able to bring that look upon my face?
Now add a 0 on the end, and send the number as a tip.
‘I believe in love and lust and sex and romance. I don't want everything to add up to some perfect equation. I want mess and chaos. I want someone to go crazy out of his mind for me. I want to feel passion and heat and sweat and madness. I want Valentines and Cupids and all of that crap. I want it all.‘
- Barbra Streisand
𝐒𝐋𝐀𝐕𝐄 𝐓𝐀𝐒𝐊
Good morning! Here is your slave task for Monday 12th June 2023.
These tasks are designed to be interactive. They are an open invitation to send me a direct message to discuss the task and to send voice notes, photos or videos (whatever is best suited to the task) as proof of completion.
I am aware that not all slaves have the same interests, experience and/or threshold, so I have designed these tasks to be as mixed as possible. There should be something to appeal to everyone regardless of where you stand on the scale!
💋💋💋
Your Goddess,
Serena
♀️ Feminist Friday ♀️
Agnes Sorel
Born in 1422 of a family of the lesser nobility at Fromenteau in Touraine, Sorel’s “superhuman” beauty preceded her. As historian Joseph Delort wrote in 1824, “The reputation of her striking beauty soon crossed the limits of Touraine, and drew near it an infinity of magnificent lords.” But, like a bejeweled crown of exquisite luxury, her otherworldly looks were fit only for a king.
It didn’t take long for the yo ung woman to catch Charles VII's eye. Among many other vices, he had a weakness for women and a sensitivity to beauty. As politician and essayist François-Frédéric Steenackers wrote in 1868, “Charles VII had a crowd of anonymous mistresses, or rather a sort of harem, a traveling deer park, who followed him everywhere.” But Sorel was different; she was not only stunning, but incredibly intelligent and kind. “She had all at once, by a rare privilege, a superior beauty of the body and the soul, with this physical and moral vitality that satisfied all the demands of love.” The king was hooked.
Sorel’s infectious spirit and unmatched influence over the king inevitably spilled over to the public eye. She rarely left the king's side, and Charles VII even attended numerous official festivals with her. No gift was too extravagant for la Belle Agnez. Among the wealth of jewelry, clothing, and properties he lavished on her, Sorel received what is believed to be the first cut diamond, as well as the fairy-tale Château de Beauté, from which she derived her famous title. Charles even gave his love the next best thing to a wedding ring: official recognition as his mistress.
This unprecedented move was jaw-dropping stuff. And as Steenackers put it, “A mistress raised to the official rank of a favorite was not only a novelty, it was a revolution, which, like all revolutions, could not take place without leaving behind indignation and hatred.”
Sorel was scandalized as a devilish schemer and a slut. Many writers of the time—rivals to the crown—indulged in gossip of illicit affairs and infidelity. Georges Chastellain, ally to Sorel's biggest adversary, Louis, the Dauphin of France and the king's son and heir, wrote: “All the women of France and Burgundy lost much in modesty in wanting to follow the example of this woman.” He failed to mention, of course, that the “good duke” of Burgundy he also served had no less than 27 mistresses of his own.
Painter Jean Fouquet crystallized the image we most associate with Sorel today; the single breast-baring Virgin in his Virgin and Chil d with Angels is widely believed to be modeled on Sorel. According to Rainer and Rose-Marie Hagen, authors of What Great Paintings Say, Sorel was the obvious choice for the Virgin, since she was considered by many at the time to be “the most beautiful woman in the world.” The dazzling pose was later replicated by an anonymous artist in the other, unnamed famous Sorel painting from the 16th century.
Despite Sorel being effectively reduced to that one exposed breast in art and memes alike, the evidence, as noted by medievalist Rachel E. Moss, that she actually dressed like this is scarce. Chastellain did accuse Sorel of being the “producer and inventor” of inappropriate styles of dress, which politician Jean Jouvenel des Ursins described as including “front openings by which one sees the teats, the nipples, and breasts of women.” But, as we already know, Chastellain was pretty salty about Sorel.
The emphasis on her appearance has seen Sorel described by a medievalist as “France’s first bimbo.” Remove the blinkers, however, and her remarkable character and achievements reveal themselves. Not to be underestimated as mere arm candy, she indisputably changed the course of the kingdom.
Charles VII was, by all accounts, a pretty useless king. It was the latter part of the Hundred Years’ War and, in what Steenackers describes as “one of the saddest periods” of French history, just under two-thirds of France belonged to England and Burgundy. As for the nation's finances, Steenackers wrote, “the king of France [put them] in the pawn shop.” He was too busy satisfying his “need for pleasure” in month-long frenzies of gambling, drinking and womanizing.
But, as soon as Sorel arrived on the scene, the king was a new man. “Charles VII,” Steenackers continues, “who, having already come to the age of 30, having understood neither his situation nor his duties, and having seemed destined for eternal mediocrity, reveals himself out of the blue and as if by magic.” Honest and able men, all friends of Sorel, took leading roles in parliament. In the space of two years, France was almost completely reconquered.
“Sorel urged the king to overcome his laziness,” wrote historian Henri Martin in 1855. “Charles finally became interested in his business and in applying his common sense and practical spirit to listening to useful advice and accepting, by hand, if not choosing, good instruments of government.” In fact, Sorel’s contribution to France was so instrumental that it has been placed by some historians as on par with that of Joan of Arc.
But, alas, it was not to last. When Sorel died in 1450, aged just 28 and pregnant with their fourth chi ld, so did Charles’ glory. “All the weaknesses of his youth,” Steenackers says, “suddenly [overflowed] like a torrent which spilled its banks and spread out into scandals.”
Dysentery was Sorel’s official cause of death, but the widespread rumors of poisoning were finally confirmed by forensic scientist Philippe Charlier in 2005. Who orchestrated the poisoning? It is widely believed to be the work of the Dauphin (later Louis XI). The power-hungry man made it his life mission to undermine his father's rule, and Sorel, who practically shared the crown, stood in his path.
It's easy to be seduced by the popular image of the Dame de Beauté. But, whether or not she actually freed the nipple, France's first official mistress was much more than a “breast and crotch,” as one author described her. As a result of her controversial position, her misguided adversaries, and most of all, her beauty, Agnes Sorel has not received from history all that she's due.
It is poetry, by contrast, that does Sorel’s character most justice. In Voltaire’s The Maid of Orleans, she is both heavenly Venus and sage hero. But perhaps most fitting of all to her unhonored, behind-the-scenes power are these two lines from an old French soldier’s song: “We must go, Agnes orders it… Agnes gives me all the credit.”
***
Disclaimer: It is important to remember that some of the women you will read about during Feminist Friday will have done unsavory, bad, and sometimes even terrible or unforgivable things during their lives. I have decided to include any women found to be problematic rather than disregard them entirely because I believe that it would be a disservice to do otherwise. The different women discussed here have lives that span over thousands of years during which life on Earth and humanity in general changed immensely and unrecognizably. Some of their values will be outdated. Some will be laughable. Some offensive. However, I implore you to try and look at these women as individual members of a world made to tame, shame, shackle, subjugate, abuse, and kill them. Do not ignore the horrors of the past. You are free to dislike them (I dislike many!) but recognize their achievements within the context of their time and place in the world.
With my receptacle slave down on his knees, hooded, gagged and his hands cuffed behind his back, I use him as my human ashtray as I tightly bind his cock and balls with string whilst telling him how my boyfriend fucked me last night and all the things I'm going to do to him after I finish my eve 120 cigarette.
𝐒𝐋𝐀𝐕𝐄 𝐓𝐀𝐒𝐊
Good morning! Here is your slave task for Friday 9th June 2023.
These tasks are designed to be interactive. They are an open invitation to send me a direct message to discuss the task and to send voice notes, photos or videos (whatever is best suited to the task) as proof of completion.
I am aware that not all slaves have the same interests, experience and/or threshold, so I have designed these tasks to be as mixed as possible. There should be something to appeal to everyone regardless of where you stand on the scale!
💋💋💋
Your Goddess,
Serena
𝐒𝐋𝐀𝐕𝐄 𝐓𝐀𝐒𝐊
Good morning! Here is your slave task for Monday 5th June 2023.
These tasks are designed to be interactive. They are an open invitation to send me a direct message to discuss the task and to send voice notes, photos or videos (whatever is best suited to the task) as proof of completion.
I am aware that not all slaves have the same interests, experience and/or threshold, so I have designed these tasks to be as mixed as possible. There should be something to appeal to everyone regardless of where you stand on the scale!
💋💋💋
Your Goddess,
Serena
♀️ Feminist Friday ♀️
Julie d'Aubigny
‘La Maupin’ (Julie d’Aubigny) was a French bisexual opera-singing sword fighter from 17th-century France. Known as one of history’s greatest rascals, she led a life so wild – complete with duels, grave-robbing and burning convents – that she had to be pardoned by the king of France not once, but twice.
Julie d’Aubigny was born in France around 1673. She was the only ch ild to a secretary to King Louis XIV’s Master of Horse, Count d’Armagnac, one of France’s great nobles.
After first living in the riding school at the Tuileries Palace in Paris, she then moved with the court to the opulent Palace of Versailles in 1682.
While her father worked in King Louis XIV’s luxurious court, Julie d’Aubigny grew up in less-glamorous quarters, namely, the Great Stables (Grande Écurie).
Julie d’Aubigny’s extraordinary talent for sword fighting ran in her blo od, as her father was an accomplished swordsman who trained the court pages at Versailles.
Julie excelled at fencing from a very early age and her father chose to educate his only chi ld alongside the you ng boys. It was while training alongside the court pages that her love for dressing up as a boy first began.
Notorious for embarking on romantic escapades, she soon ran away to Marseille with her fencing instructor, Séranne. After scraping a living between them from performing fencing demonstrations at fairs and in taverns, the love affair quickly fizzled out. But d’Aubigny’s love of fencing was a passion that would burn throughout her whole life.
Julie d’Aubigny loved nothing better than a duel and she killed – or at least wounded – more than 10 men in doing so. The anti-duelling laws in France were becoming much more strict at the time, but d’Aubigny managed to win royal pardon on the grounds that the law at the time governed only men. These laws didn’t say anything about women, as the nation assumed women couldn’t possibly know how to fight. Julie d’Aubigny, however, continued to prove them wrong.
D’Aubigny’s most notorious run-in with the law sounds so absurd that you could easily mistake it for a legend. But there’s a shocking truth to the seemingly unbelievable tale. After seducing a local merchant’s daughter, who was then sent to a convent to keep the pair apart, Julie d’Aubigny forged an incredible plan.
It just so happened that a nun had passed away and so, d’Aubigny stole the dead body and placed it in her lover’s room before setting the whole convent on fire. This provided the necessary chaos to elope, though she was later charged with kid nap ping, body snatching and arson, and was sentenced to death by fire.
Not only was Julie d’Aubigny incredibly talented at sword fighting, but also at opera singing. She moved to Paris and used these opera skills to worm her way out of her death sentence.
Julie enjoyed an affair with Gabriel-Vincent Thévenard, another singer, who auditioned for the Paris Opéra and was hired right away. Infatuated with his new love, he insisted that Julie be allowed to audition, to which the Opéra reluctantly obliged.
After realising just how talented she was, the Opéra helped persuade the king to lift the death sentence so that she could join them. One critic credited her with having ‘the most beautiful voice in the world’ and so naturally, the king agreed that her talent was worth saving.
D’Aubigny’s performances on stage were hugely admired. She had a brilliant memory for music, performing under the stage name La Maupin from 1690 to 1694, and became quite a star.
La Maupin may have been pardoned twice, but she didn’t stay out of trouble for long. She threatened to shoot the Duchess of Luxembourg, found herself in court for attacking her landlord and humiliated the popular Countess Marino to whom she was a maid by adorning the back of her hair with radishes before a ‘grand ball’.
A later lover, the Elector of Bavaria, soon found d’Aubigny too intense after she stabbed herself on stage with a real dagger, offering her 40,000 francs on the condition that she leave him alone.
Julie d’Aubigny ended her days heartbroken for Madame la Marquise de Florensac, the ‘most beautiful woman in France’, who died of a fever in 1705 when Julie was 31. D’Aubigny died in a convent in 1707 at the age of 33, according to some historical sources.
However, there’s so much mystery surrounding this incredible life that we can’t know for sure which parts of the story are true. Even d’Aubigny’s birth date and place of birth are subject to speculation, as well as her real name.
While her professional name was Mademoiselle Maupin, cheered by crowds as La Maupin, acquaintances addressed her as Émilie in their letters, while Thévenard called her Julia. She’s also been known as Madame de Maupin and Madeleine, though she is best known as Julie d’Aubigny.
𝐒𝐋𝐀𝐕𝐄 𝐓𝐀𝐒𝐊
Good morning! Here is your slave task for Friday 2nd June 2023.
These tasks are designed to be interactive. They are an open invitation to send me a direct message to discuss the task and to send voice notes, photos or videos (whatever is best suited to the task) as proof of completion.
I am aware that not all slaves have the same interests, experience and/or threshold, so I have designed these tasks to be as mixed as possible. There should be something to appeal to everyone regardless of where you stand on the scale!
💋💋💋
Your Goddess,
Serena
I have a 5 minute audio excerpt recording from a night spent with J in bed. Perfect for you cucks. Will send it via DM at a cost of $80. If you want it, comment below.
𝐒𝐋𝐀𝐕𝐄 𝐓𝐀𝐒𝐊
Good morning! Here is your slave task for Monday 29th May 2023.
These tasks are designed to be interactive. They are an open invitation to send me a direct message to discuss the task and to send voice notes, photos or videos (whatever is best suited to the task) as proof of completion.
I am aware that not all slaves have the same interests, experience and/or threshold, so I have designed these tasks to be as mixed as possible. There should be something to appeal to everyone regardless of where you stand on the scale!
💋💋💋
Your Goddess,
Serena
♀️ Feminist Friday ♀️
Maude Adams
Known as the most famous and highest-paid actress of her time, Maude Adams was an incredibly beautiful and “an intensely private person who donned so many personalities, she alluded to her own as being ‘the one I knew least.’” In addition to her acting success, she helped invent technology to improve stage lighting and develop color film photography
Born Maude Ewing Adams Kiskadden to James Kiskadden and Asaneth “Annie” Adams in Salt Lake City, Maude often accompanied her actress mother on tour. Her stage debut came at two months old in the play The Lost Baby at the Salt Lake Theatre in Salt Lake City. Despite her father’s objections, Maude began acting as a yo ung girl and adopted her mother’s maiden name as her stage name. The family moved to San Francisco, and Annie and Maude traveled throughout the western United States with a theatrical troupe. At age five, she debuted in San Francisco; at age ten, in New York City. Within a decade she had performed in 26 plays.
Maude briefly returned to Salt Lake City, where she lived with her grandmother and enrolled at the Salt Lake Collegiate Institute (now Westminster College), but soon was back performing, leaving behind ch ild roles, joining various theatre companies, and sometimes still appearing alongside her mother. In 1889, Maude met producer Charles Frohman, who propelled her career forward by casting her in a variety of successful roles, including a series of plays with leading man John Drew, Jr. Audiences came to see Drew, but were impressed with Maude. During the opening of The Masked Ball in October 1892, the audience gave her a two-minute standing ovation and 12 curtain calls. Harpers Weekly wrote: “It is difficult to see just who is going to prevent Miss Adams from becoming the leading exponent of light comedy in America.”
Maude’s greatest successes came by acting in several of J. M. Barrie’s plays. Her most famous role was debuting the character Peter Pan on Broadway in 1905. She acted in more than 1,500 stage performances of Peter Pan and made $20,000 a month. Children would attend the performance night after night, memorizing all of the lines. At her peak, Maude was earning a yearly income of more than one million dollars. Maude wrote of her feelings about Peter Pan:
"It was not only that Peter was the most delightful of all the plays, but it opened a new world to me, the beautiful world of children. My childhood and girlhood had been spent with older people, and children had always been rather terrifying to me…Children remained an enigma to me until, when I was a woman grown, Peter gave me open sesame; for whether I understood children or not, they understood Peter."
While she was best known for her portrayal of Peter, Maude’s favorite role was playing the male rooster, Chantecler, a role that was originally written for a man, but that she wanted to portray. The show was a financial success even though critics and reviewers hated it. They especially disliked Maude’s performance because she was a woman. “Chantecler is essentially a masculine role…and Miss Adams is essentially a feminine actress,” a reviewer wrote. “Nothing could be more incongruous than a woman’s essaying to play a character whose strength and value depend on upon masculine virility,” wrote another.[4] Maude was also known for playing other male roles, like Napoleon II, in what were known as “breeches productions” in reference to the actresses who wore men’s pants to perform. Despite Maude’s preference, she also played strong female leads. Her role as Joan of Arc in The Maid of Orleans was a grand production that included 1,400 actors, grazing sheep, and 200 charging stallions all performing to an audience of 15,000 at a Harvard open-air amphitheater. The famous Art Nouveau painter Alfons Mucha also designed a renowned poster of Maude as this leading lady.
Maude also developed an interest in stage production, collaborating with technicians and engineers on multiple inventions to improve stage lighting. Basset Jones, an electrical and lighting engineering consultant, and Maude developed and modified incandescent electrical lighting for the theater since existing lights were too weak and cumbersome for the theater. They made this lighting stronger, smaller, and more mobile. Maude also established and funded her own research team to investigate the possibilities of developing stronger incandescent lighting. So promising was the team’s research that they were able to form collaborations with General Electric and Eastman Kodak which resulted in the manufacturing of the world’s then largest incandescent lamp. In 1924, Maude established Maude Adams Productions and participated in color film experiments with Kodachrome in collaboration with filmmaker Robert J. Flaherty.
Maude was never given credit for her inventions, and even though her lawyer advised that she sue, she did not. She later regretted this decision, and whenever she saw her lights being used she would say, “Those are my lamps.” Her lights ultimately became the industry standard in Hollywood with the advent of sound in motion pictures in the late 1920s. In addition, they were particularly invaluable in the filming of color photography under artificial lighting. Her collaborator, Bassett Jones said of her: “She completely revamped the whole art of stagecraft—setting and lighting…In my opinion, Maude Adams was the greatest production artist this country ever saw.”
In 1916, after a series of close friends and family died in a span of a few months, including her producer Charles Frohman, her costume designer, her stage manager, and her mother, Maude retired for a time from acting. She began World War I war work classes where she learned cooking, marketing, and gardening, volunteered at the YWCA, and did some entertainment touring during the war. “One of her dearest ambitions was to educate women about society’s needs, hoping to inspire more responsibility in public affairs.” Additionally, her philanthropy work included helping recovering soldiers and earthquake and flood victims and appearing at fundraisers to help build new college theaters. She was also known for sending tickets for blocks of seats to disadvantaged kids so they could see Peter Pan and for supplementing the salaries of fellow performers out of her own pay.
Maude’s immense wealth allowed her to purchase properties in Salt Lake City, Manhattan, and a 400-acre farm and estate on Lake Ronkonkoma in Long Island with a summer home in the Catskill Mountains. After “suffering a nervous breakdown, she found solace and comfort among the sisters of Our Lady of the Cenacle and bequeathed her land to them.” She also traveled during the summers for rejuvenation to Europe, even spending a year in France to learn to speak the language. At the age of 65, she took a position as the chair of the drama department at Stephens College in Columbia, Missouri, teaching there until age 78. Even though Maude was suffering from poor health, she threw herself into the work of developing y oung women actors.
Maude died of a heart attack at age 81. She and her longtime partner, Louise Boynton, share a gravestone on Maude’s Long Island property.
***
Disclaimer: It is important to remember that some of the women you will read about during Feminist Friday will have done unsavory, bad, and sometimes even terrible or unforgivable things during their lives. I have decided to include any women found to be problematic rather than disregard them entirely because I believe that it would be a disservice to do otherwise. The different women discussed here have lives that span over thousands of years during which life on Earth and humanity in general changed immensely and unrecognizably. Some of their values will be outdated. Some will be laughable. Some offensive. However, I implore you to try and look at these women as individual members of a world made to tame, shame, shackle, subjugate, abuse, and kill them. Do not ignore the horrors of the past. You are free to dislike them (I dislike many!) but recognize their achievements within the context of their time and place in the world.
𝐒𝐋𝐀𝐕𝐄 𝐓𝐀𝐒𝐊
Good morning! Here is your slave task for Friday 26th May 2023.
These tasks are designed to be interactive. They are an open invitation to send me a direct message to discuss the task and to send voice notes, photos or videos (whatever is best suited to the task) as proof of completion.
I am aware that not all slaves have the same interests, experience and/or threshold, so I have designed these tasks to be as mixed as possible. There should be something to appeal to everyone regardless of where you stand on the scale!
💋💋💋
Your Goddess,
Serena
𝐒𝐋𝐀𝐕𝐄 𝐓𝐀𝐒𝐊
Good morning! Here is your slave task for Monday 22nd May 2023.
These tasks are designed to be interactive. They are an open invitation to send me a direct message to discuss the task and to send voice notes, photos or videos (whatever is best suited to the task) as proof of completion.
I am aware that not all slaves have the same interests, experience and/or threshold, so I have designed these tasks to be as mixed as possible. There should be something to appeal to everyone regardless of where you stand on the scale!
💋💋💋
Your Goddess,
Serena
♀️ Feminist Friday ♀️
Coretta Scott King
Coretta Scott King was a trailblazer for the civil rights movement and the women’s rights movement during the second wave of feminism. As the wife of Martin Luther King Jr. She was a dedicated wife and mother while also fighting for the rights of women of all races.
During the second wave of feminism, a divide formed. The initially united force of women broke in half to create two separate ideological movements: equal rights feminism and radical feminism. In 1963, feminist writer Betty Friedan, wrote “The Feminine Mystique.” This nonfiction book pushed the second wave of feminism into a full scale movement. Friedan wrote and published the book at a time when most American women were dropping out of college to get married and leaving their degrees and dreams to run a household. This was the social norm of the time, and culturally there weren’t many other options acceptable for you ng girls. Yet Friedan, instead of getting married and dropping her degree, wrote a book. According to the book’s 50th anniversary description, it “gave a pitch-perfect description of the problem that ‘has no name:’ the insidious beliefs and institutions that undermine women’s confidence in their intellectual capabilities and keep them in the home.” Although, what about the women such as King who were mothers and activists?
The book was published in the same time period that the separation of the movement took place. Also right around this time, King was tasked with mothering four children. Yet, she chose to accompany her husband to events and protests, becoming an irreplaceable part of the civil rights movement. According to Stanford University, she held a “critical role in many of the civil rights campaigns of the 1950s and 1960s, performing in freedom concerts that included poetry recitation, singing, and lectures related to the history of the civil rights movement.”
In 1959, the couple travelled to India and King was overwhelmingly affected by the women she interacted with there. “As we travelled through the land, we were greatly impressed by the part women played in the political life of India, far more than in our own country,” she said. By 1962, she travelled to Geneva, Switzerland, to serve as a “Women’s Strike for Peace” delegate to the 17-nation Disarmament Conference.
King’s fight for race and gender equality continued in 1966 when she helped found the National Organization for Women (NOW). According to the King Center, “in 1974, Mrs. King formed a broad coalition of over 100 religious, labor, business, civil and women’s rights organizations dedicated to a national policy of full employment and equal economic opportunity.” She formed the Coalition of Consciousnesses consisting of over 800 human rights organizations and in 1990 served as the co-convener of the Soviet-American Women’s Summit in D.C.
King embodied everything a woman could be while fighting for race and gender equal rights, following her dream, earning a degree, and living a happy life as a wife and mother. Following the second wave, we often, intentionally or unintentionally, separate the women who were happily married with kids from the feminists. Yet, King proves this isn’t the case. Feminism fights for women to have the same rights men do. It is a fight for equality and equality means women have the right to choose to be wives and mothers without being anti-feminist. Every woman is included in feminism, not just the ones who reject traditional female roles, such as Friedan. The feminist movement isn’t fighting to end marriage or motherhood, it’s fighting for the right to have equal opportunities with men when pursuing whatever it is that makes you happy.
***
Disclaimer: It is important to remember that some of the women you will read about during Feminist Friday will have done unsavory, bad, and sometimes even terrible or unforgivable things during their lives. I have decided to include any women found to be problematic rather than disregard them entirely because I believe that it would be a disservice to do otherwise. The different women discussed here have lives that span over thousands of years during which life on Earth and humanity in general changed immensely and unrecognizably. Some of their values will be outdated. Some will be laughable. Some offensive. However, I implore you to try and look at these women as individual members of a world made to tame, shame, shackle, subjugate, abuse, and kill them. Do not ignore the horrors of the past. You are free to dislike them (I dislike many!) but recognize their achievements within the context of their time and place in the world.
𝐒𝐋𝐀𝐕𝐄 𝐓𝐀𝐒𝐊
Good morning! Here is your slave task for Friday 19th May 2023.
These tasks are designed to be interactive. They are an open invitation to send me a direct message to discuss the task and to send voice notes, photos or videos (whatever is best suited to the task) as proof of completion.
I am aware that not all slaves have the same interests, experience and/or threshold, so I have designed these tasks to be as mixed as possible. There should be something to appeal to everyone regardless of where you stand on the scale!
💋💋💋
Your Goddess,
Serena
